Angst essen Seele auf (Rainer Werner Fassbinder, 1974)
L’Année dernière à Marienbad (Alain Resnais, 1961)
Bande à part (Jean-Luc Godard, 1964)
Beau travail (Claire Denis, 1999)
Chunking Express (Wong Kar-wai, 1994)
Code Inconnu (Michael Haneke, 2000)
The Conversation (Francis Ford Coppola, 1974)
Dogville (Lars von Trier, 2003)
Dressed to Kill (Brian de Palma, 1980)
L’Eclisse (Michelangelo Antonioni, 1962)
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
Eyes Wide Shut (Stanley Kubrick, 1999)
Five Easy Pieces (Bob Rafelson, 1970)
Frances Ha (Noah Baumbach, 2012)
Gegen die Wand (Fatih Akin, 2004)
Gitmek: Benim Marlon ve Brandom (Hüseyin Karabey, 2008)
The Gleaners and I (Agnès Varda, 2000)
Grizzly Man (Werner Herzog, 2004)
Imitation of Life (Douglas Sirk, 1959)
Johnny Guitar (Nicholas Ray, 1954)
The Magnificent Ambersons (Orson Welles, 1942)
Mauvais sang (Leos Carax, 1986)
Memento (Christopher Nolan, 2000)
Moonrise Kingdom (Wes Anderson, 2012)
The Panic in Needle Park (Jerry Schatzberg, 1971)
The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
Persona (Ingmar Bergman, 1966)
Reality Bites (Ben Stiller, 1994)
Shadow of a Doubt (Alfred Hitchcock, 1943)
Touch of Evil (Orson Welles, 1958)
Viaggio in Italia (Roberto Rossellini, 1954)
Walkabout (Nicolas Roeg, 1971)